Starting this year, Zengården is opening its doors to a few artists who are not members of our organisation for several Artist-in-Residence weeks each year. In addition to the joy of supporting art and culture, we are hoping for inspiring intermingling and communication
The artists will be free to join in the regular meditation, teachings and ceremonies if they wish. They will be expected to respect the Zen training atmosphere and to take their meals with the trainees. We also ask that they give a presentation or panel discussion to the trainees at some point during their residency, but apart from that, they will be free to enjoy the atmosphere of Zengården and will be given the space and silence needed for their creative work.
The dates of the Artist-in-Residence weeks for each year will be published on zentraining.org at the beginning of November the year before. Applications will be open from then until 28 February. No fixed selection criteria are set, but preference is likely to be given to applicants working on political and environmental themes within visual art, performing arts, dance and choreography, multidisciplinary art, conceptual art and writing. Both individual artists and groups of up to five people may apply.
The residency includes accommodation and three vegan meals a day. Individual artists are provided with a single room. Group members may need to share rooms with each other.
For more detailed information about the application process, or any other questions, please contact us at: firstname.lastname@example.org
The dates for the artist residency 2020 are:
- 21st April - 5th May
- 12th - 19th May
- 15th - 22nd September
The artists and projects in 2019
Matleena Laine/MIKSI company
Our project Figure-Ground is inspired by human contact and nature. Remembering that we are humans with power to destroy and create, and that we live in a time when that choice will determine our future. The performance/installation is looking into the fragility of human being trough men made by 500 hundred little pieces of wood build as an unstable tower. In the puzzle of these men and in the relation between them and the performer there is the complexity of our inner feelings.
All the pieces are needed, because by moving one of the carrying pieces, all can fall.
I am a multidisciplinary, research-based artist working in the fields of installation and performance, with a recent interest in creative writing. My practice explores human relations with the environment and draws parallels between human embodiment and other material embodiments, especially those of plants. It aims to expose these connections and participate in developing a stronger sense of belonging to ecosystems and to the larger community of beings that mutually inhabit our planet. During the time at Zengarden, I would develop a text piece that would draw inspiration from working in the garden and explore the surrounding plant life in the context of Zen teachings and its metaphors of seed, cultivation and other. The text therefore would be influenced and grow out of that particular experience and season.
I work with sculpture, installation and text. I scavenge my surrounding for physical materials, collecting stories, looking for possibilities and ways to experiment with what I find. Material, artifacts and stories transforms into objects, reliefs, large layered collages and new stories. Materiality and composition together with stories form interconnecting links. Failure (honesty), time (expectations), and space (topology) are used as tools in my method as I constantly re-purpose materials by inventing context, connecting story with material.
An artist-as-organisation founded in London in 2016 which facilitates work in regimented environments: social constructs, educational institutions, politically-stagnated territories. Defying association and identification the number of its members is always fluid and its mediums of engagement span across investigative journalism, political art, curation and creative writing.
For the Zengården residency the Studio will be doing a series of nightly listening sessions. These sessions will contain a read-back diary of daily activities in a semi-fictional landscape, invoked by the surrounding sound, told and untold stories and object histories. This project aims to create an alternative meditative experience to help reanalyse the ways in which groups access their collective memory. As a supplement, a number of alternative note-taking workshops will be held, to expand the participants’ “recording” toolkit. A publication and an open-access audiobook will form the archive of this project and will be subject to common ownership, with all current residents of Zengården included.